#ladybirdgoeswest

Last week I worked on an Instagram project at work for Lady Bird's "Western Trip" to Idaho, Utah, and Wyoming in August 1964. It was fun to look through our contact sheets and scan photos that have never been digitized before. A lot of my job is fulfilling researcher requests, which are usually photos that we already have scanned or popular photos that we've all seen before. It's refreshing to go digging in the archives to see what you can find - some nice portraits of Lady Bird and beautiful photographs of America's landscape. Although I think my favorite is her reaction to the buffalo barbecue...

austin woman magazine

This month my photos of Lady Bird's office at the LBJ Presidential Library were published in Austin Woman Magazine! They didn't credit them, but they are mine. Still excited to see some of my work in print, even if it is just an exhibit. Check out the full article, including a great photo by White House photographer Frank Wolfe.

April 2013 Issue

dear bird

photos from the LBJ Presidential Library

February is over! I can't believe tomorrow it will be March. Since I dedicated a whole week to Valentine's Day, I thought it would be nice to post about a last minute assignment that I worked on that week. On Feb. 13, our Supervisory Archivist Claudia Anderson talked to press about the 1934 courtship letters between LBJ and Lady Bird Johnson. The letters have been released to the public, check them out here if you're interested.

color correction

Oh, the color correction debate! This is something I've been wanting to touch on for a while, since I deal with this problem everyday at work. The big question surrounds the digitization of archival photographs and whether they should be left "as is" or color corrected "as it should be?" Now, the real problem here is when you scan a color negative and say it's "as is," meaning that the scan you've got is a representation of what is on the negative, you're wrong. Here's why... Something I think archivists aren't taking into account (especially if they are not scanning the images themselves), is the accuracy of the scanner to auto-detect color. If you are wanting a full frame image you have to crop it yourself. (Editorial note: The scanner I use at work is an EPSON V700 Photo Scanner). When you determine the area to be scanned, it automatically color corrects the image and selects true blacks and whites based on the crop. So if you crop in or out or leave in the black border around the image, you will end up with three totally different looking images. Case in point: the images below... The first was done before I started working at the LBJ Library. The second has been rescanned and edited based on a darkroom print of the same image hanging up in AV Archives (made before they went digital around 2002). Now, being that NARA's definition for digitizing for public access includes "quality control of digital copies and metadata" and "providing public access to the material via online delivery of reliable and authentic copies." I would say the image on the left is not reliable or authentic to the image on the negative; the water in Oregon is obviously not cyan. When rescanned and minimally edited, everyone looks peachy. I didn't get the cyan color cast at all the second time. So which is the reliable and authentic image that should be delivered to the public as an accurate representation of this negative?

D782-9a. Photo by Robert Knudsen. Lady Bird Johnson on a trail in the Multnomah Falls National Scenic Area near Troutdale, Oregon on June 27, 1968.

for all you birdwatchers out there

For all you birdwatchers out there -- This lovely hawk landed on the ledge outside of Lady Bird's office on the 10th floor this morning. I'd never seen a hawk up close like this before, with only three feet and a pane of glass between us. She was standing on one leg and looked right me before taking off over the Austin skyline. One of our archivists on the 9th floor thinks it might be a Red Tail Hawk. What do you think?

DIG13456-001, LBJ Library photo by Lauren Gerson

DIG13456-008, DIG13456-013, DIG13456-021, LBJ Library photos by Lauren Gerson

DIG13456-024, LBJ Library photo by Lauren Gerson